By Frank Kermode, Frank Lentricchia
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Additional info for Forms of Attention: Botticelli and Hamlet
57. Gombrich,238. Botticelli Recovered looking for but to the one you need. The photographic collection still services Warburgian screens though I don't suppose the images thereon are thought of as engrams, and the familiar Warburg lecturing style still requires two projectors for the comparison of images. Over the door is written, in Greek characters, MNEMOSYNE. "58 About his having done much useful churning up of facts there is absolutely no argument; but much more than fact survives. It is perfectly possible to see in, for example, Panofsky's work on renaissance and renascence, and on the interplay of history and interpretation-on the Nachleben, as it were, of theories concerning the Nachleben-or in Gombrich's very different interest in memory and symbolism and his eye for the significant detail, transformations of recognizably Warburgian themes and precepts.
There lies the substance ... ) It is not always easy, when kings are concerned, to distinguish shadow and substance. Of the King's two bodies, which is substance and which shadow? 23031). The robes of kings and magistrates, their additions, make a brave show, but they are the substance of their offices and powers. The king's two bodies, then, are substance to each other's shadow; and they are in a hermaphroditic union only death can end. In theaters, mirrors of the world, but also elsewhere, as when the Lord Mayor sends his Show through London streets, what is put on is called a show.
Gombrich,87. 57. Gombrich,238. Botticelli Recovered looking for but to the one you need. The photographic collection still services Warburgian screens though I don't suppose the images thereon are thought of as engrams, and the familiar Warburg lecturing style still requires two projectors for the comparison of images. Over the door is written, in Greek characters, MNEMOSYNE. "58 About his having done much useful churning up of facts there is absolutely no argument; but much more than fact survives.