By Christine Goulding, Wiebke Strehl, Wolff A. von Schmidt
Put your scholars on the middle of Germanic language and culture
Mittendrin is an intermediate-level German application with a different neighborhood concentration designed to advertise communicative and cultural competence.
Carefully selected interpreting and listening texts in every one bankruptcy introduce scholars to the multifaceted tradition of German-speaking Europe and supply the root for comprehension actions, vocabulary acquisition, talking and dialogue possibilities, and examine and writing assignments. Mittendrin develops talents for instant useful utilization whereas even as delivering scholars with an outstanding beginning for additional study.
Skill-Based Approach –Four-skills strategy is supported by way of a dominant cultural part and a managed therapy of grammar.
Connect with tradition – Ten region-oriented chapters manage to pay for scholars a wealthy and dynamic view of the numerous German cultural landscape.
Explore Grammar – evaluate of introductory point themes is helping scholars reach mastery of simple German grammar whereas while intermediate-level grammar subject matters are brought and actively practiced.
Build Vocabulary – scholars are brought to phrases in context and perform them actively.
Develop abilities – every one bankruptcy encompasses a sequence of four written texts and a couple of listening texts that comment on a extensive variety of topic components strongly attached to the neighborhood concentration of that chapter.
Personalize Learning – MyLanguageLabs confirmed effects are actually on hand for intermediate German courses! MyGermanLab should be on hand for fall 2012 courses.
Note: MyLanguageLabs doesn't come instantly packaged with this article. to buy MyLanguageLabs entry, please stopover at: www.mylanguagelabs.com otherwise you should purchase a valuepack of the textual content + MyLanguageLabs 24-month access.
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Extra info for Mittendrin: Deutsche Sprache und Kultur für die Mittelstufe
221 (bottom): Andreas Schmidt; p. 224: Tino Thoß/Fotolia; p. 225 (left): Courtesy Dresden Marketing GmbH; p. 225 (right): jomare/Fotolia; p. 232: Eyesart/Fotolia; p. 237 (bottom right): celeste clochard/Fotolia; p. 237 (top left): swisshippo/Fotolia; p. 237 (bottom left): celeste clochard/Fotolia; p. 237 (top right): Ulrich Mueller/Shutterstock; p. 241 (top left): Roman Sigaev/Shutterstock; p. 241 (top center): Roman Sigaev/Shutterstock; p. 241 (top right): National Geographic Image Collection/Alamy; p.
84: l-pics/Fotolia; p. 85: © Ulrich Kneise/Schnell & Steiner; p. 87 (right): Jozef Sedmak/Shutterstock; p. com/Thinkstock; p. 89 (top): Christine Goulding; p. 89 (bottom): Gerhard Köhler/Fotolia LLC; p. 90: Alexander Rochau/Fotolia; p. 92: Daniel Fleck/Shutterstock; p. 93: Courtesy 1. Deutsches Bratwurstmuseum; p. ; p. 96: Schütze/Rodemann/Bildarchiv Monheim GmbH/Alamy; p. 98 (bottom): Bernd Kröger/Fotolia; p. 98 (top): Volker Z/Fotolia; p. 99: filosofin/Fotolia; p. 100: Hemera/Thinkstock; p. 102 (top): Henry Czauderna/Fotolia; p.
V. de/); p. 93: Deutschlands erstes Bratwurstmuseum: “Deutschlands erstes Bratwurstmuseum”, Author interview with Thomas Mäuer, with kind permission of Thomas Mäuer; p. 98: Universitätsstadt Weimar: Bauhaus-Universität Weimar; p. 127: Stephansdom: Verein “Unser Stephansdom”; p. 131: Kaffee. at; p. 138: Das Fenster-Theater: Ilse Aichinger, Das Fenster-Theater from: Ilse Aichinger, Der Gefesselte. Erzählungen1. © 1953 by S. Fischer Verlag GmbH, Frankfurt am Main; p. 159: „Public Viewing macht die Festspiele nicht kaputt“: Zeit Online; p.