Download PDF by Suzanne Keen (auth.): Narrative Form

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An excellent anthology of theoretical essays on short fiction, from its troubled definition to its formal traits. ), Theory of the Novel: A Historical Approach (Johns Hopkins University Press, 2000). A treasure trove of excerpts from major theorists from Henry James to Kwame Anthony Appiah. This textbook has a wonderful bibliography organized by topic. Nagel, James, The Contemporary American Short-Story Cycle (Louisiana State University Press, 2001). A focused study of related short stories. Price, Leah, The Anthology and the Rise of the Novel: From Richardson to George Eliot (Cambridge University Press, 2000).

If you can look at the original publication, for instance in one of many nineteenth-century periodicals, you can recapture a sense of the surrounding texts (advertisements, illustrations, articles) it is likely the earliest readers would have seen. How might the context of its first appearance have conditioned its composition or the reactions of the earliest reviewers? Alternatively, you could select a periodical in which narrative fiction appears (such as Harper’s, The Atlantic, or Cornhill), and study the way fiction appears in the full run of the journal, or in the issues centered around a date of historical significance.

Manipulation of reader’s expectations about breaks and sectioning can draw attention to what is tacitly accepted as ‘normal’ in narrative fiction. Paratexts can play up the ambiguities or confusions about who has responsibility for various apparatuses that comprise the material text. Interpreting sectioning and labels can be rewarding, especially because these paratexts sometimes reflect the material conditions of authorship and publication. Though most novel-readers today expect a novel to be a single book, a freestanding volume that starts and finishes within one set of covers, readers in the past consumed installments of various dimensions.

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