By Adalaide Morris, Thomas Swift
New media poetry--poetry composed, disseminated, and browse on computers--exists in a number of configurations, from digital records that may be navigated and/or rearranged by means of their "users" to kinetic, visible, and sound fabrics via on-line journals and data like UbuWeb, PennSound, and the digital Poetry middle. in contrast to mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy among humans and clever machines. The essays and artist statements during this quantity discover this synergy's continuities and breaks with earlier poetic practices, and its profound implications for the future.By including new media poetry to the learn of hypertext narrative, interactive fiction, desktop video games, and different electronic paintings kinds, New Media Poetics extends our realizing of the pc as an expressive medium, showcases works which are visually arresting, aurally charged, and dynamic, and strains the lineage of latest media poetry via print and sound poetics, procedural writing, gestural abstraction and conceptual paintings, and activist groups shaped by way of emergent poetics.
Contributors:Giselle Beiguelman, John Cayley, Alan Filreis, Loss Pequeño Glazier, Alan Golding, Kenneth Goldsmith, N. Katherine Hayles, Cynthia Lawson, Jennifer Ley, Talan Memmott, Adalaide Morris, Carrie Noland, Marjorie Perloff, William Poundstone, Martin Spinelli, Stephanie Strickland, Brian Kim Stefans, Barrett Watten, Darren Wershler-Henry
Read or Download New Media Poetics: Contexts, Technotexts, and Theories PDF
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Extra info for New Media Poetics: Contexts, Technotexts, and Theories
2002b. Egoscope. htm (accessed February 11, 2005). Benjamin, Walter. 1969. ” Trans. Harry Zohn. In Illuminations, ed. Hannah Arendt, 217–251. New York: Schocken. Bernstein, Charles. 1992. A Poetics. Cambridge, MA: Harvard University Press. Bolter, J. David.  2003. ” In The New Media Reader, ed. N. Wardrip-Fruin and N. Montfort, 680–690. Cambridge, MA: MIT Press. Brogan, T. V. , ed. 1994. The New Princeton Handbook of Poetic Terms. Princeton, NJ: Princeton University Press. Bush, Vannevar.
45 The essays and artist statements in this collection participate in this ongoing transition. The materials in the three sections New Media Poetics 31 that follow look at the contexts of the production and dissemination of new media poems, the differential poetics of their presentation, and some of the theories that make it possible to grasp their potential. The chapters in part I, “Contexts,” look not at cyberculture—that is, the social phenomena associated with globalized networked communication— but at connected structures that produce, nourish, and circulate new media poetics.
2001. Commonspace: Beyond Virtual Community. Toronto: FT Prentice-Hall. Turing, Alan. 1950. ” Mind 59 (October): 433–460. Uribe, Ana Maria. 2003. Anipoems. html (accessed February 4, 2005). , Evan Thompson, and Eleanor Rosch. 1991. The Embodied Mind: Cognitive Science and Human Experience. Cambridge, MA: MIT Press. Wardrip-Fruin, Noah, ac chapman, Brion Moss, and Duane Whitehurst. 1999. The Impermanence Agent. com/agent (accessed February 3, 2005). New Media Poetics 45 Wardrip-Fruin, Noah, and Pat Harrigan, eds.