By Thomas McAlindon
Dr. McAlindon argues that there have been types of nature in Renaissance tradition, one hierarchical, within which every little thing has an appointed position, the opposite contrarious, displaying nature as a stressful approach of interacting opposites, prone to surprising cave in. This latter version applies to the total of Shakespeare's tragedy. it may be noticeable within the characterization, the settings and the imagery of the tragedies, which the writer analyzes in chapters dedicated to Romeo and Juliet, Julius Caesar, Hamlet, Othello, King Lear, Macbeth and Antony and Cleopatra.
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Extra resources for Shakespeare's Tragic Cosmos
One long scene is devoted to Timon's contemplation of the fact that the earth, which is nature, is the mother both of nutrition and poison; brings men together in families and cities, divides them in greed and violence. On the one hand: Behold the earth hath roots; Within this mile break forth a hundred springs; Shakespeare's tragic cosmos The oaks bear mast, the briers scarlet hips; The bounteous housewife Nature on each bush Lays her full mess before you. e. cause strife], (lines 42-5) When Timon retreats to the woods, finds himself 'To the conflicting elements expos'd' (line 232), and has to dig for roots, he is coming to understand reality, the nature of kind.
A 1115-18). The narrative pattern of reconciliation and marriage rendered it desirable that Arcite should not be killed by Palamon; but it is counterpointed by a poetic pattern which reveals that Arcite's love, and Palamon's, begot ire, hatred, and death. The passions of Chaucer's characters here are linked to universal nature not only by their assimilation to the cosmological dialectic of Love and Strife (Hate) but also by their continuous association with the basic constituents of the material world - the four elements, qualities, and humours.
II Although the main justification for such a challenge lies in the text, the question can profitably be approached by way of Boethius, Bernardus Silvestris, and Alanus de Insulis, the three authors who have most to tell us about the intellectual milieu of this, the most philosophical of Chaucer's Tales. Rowe observes that the notion of concordia discors is common to The Consolation of Philosophy, the Cosmographia, and The Plaint of Nature, and sees the three works as 27 Shakespeare's tragic cosmos forming a kind of philosophical alliance.