Download PDF by Calouste Gulbenkian Foundation: Training in the Conservation of Paintings

By Calouste Gulbenkian Foundation

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The immediate advantage of such a proposal, besides the economical use of common administrative and other services, would clearly be automatic eligibility of the students for Government maintenance grants. Against it, in the case of all educational establishments whose expenditure has ultimately to be justi45 TRAINING IN THE CONSERVATION OF P A I N T I N G S fied by productivity in terms of pupil/teacher ratio and such considerations, is the extremely small number of students for whom the Institute's main course would be intended.

A third year is now proposed, not as a final year qualifying for an award, but as a preliminary year giving an opportunity for classes in the necessary back37 T R A I N I N G IN THE CONSERVATION OF PAINTINGS ground subjects, especially art history, and for the elimination of unsuitable students. (3) Independent Restorers We have not enquired into any arrangements which individual independent restorers may make for accepting fee-paying students. Training on the Conservation of Drawings 59. Paper conservation forms part of the course at the Courtauld Institute (paragraph 58 (b) (i) above); and part of the syllabus of a two-year course in archive preservation and repair which was started at the Camberwell School of Arts and Crafts in 1970 would be relevant to the conservation of drawings.

2) Gateshead Technical College A two-year course started at the Shipley Art Gallery in 1967 with three students. It has been transferred to Gateshead Technical College. The College unlike the Gallery is recognised by the DES as an institute of further education and thus is able to obtain LEA grants for its students. Teachers and students work on material from the Shipley Art Gallery and other collections in the locality, in close relation with the Gallery. Students may be school leavers or graduates.

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